Guided by a passion for genuine collaboration and the unerring belief in art’s life-enhancing powers, the advisory advocates a subjective, human-centric approach to collecting. Instead of following art market trends or purely strategic criteria, Jan van de Weyer puts an emphasis on personal values and considerations. Recognizing the unique taste of each client, as well as the specific characteristics of individual artistic positions, he enters into close dialogue to forge substantial connections—regardless of whether it’s about a single acquisition or a long-term liaison geared toward an enduring collection. With a focus on contemporary art of both established and emerging artists, the advisory builds on broad expertise, an ever-expanding, international network, a thorough understanding of the art world, and a sure sense of meaningful matches between art and people.
Tom Król, Ohne Titel, 2015, oil and acryl on canvas
Tomomi Yamakawa, Mimosa Pudica \ Wood Louse, 2021, acrylic on canvas
Simon Mielke, 2021
Simon Mielke, 2021
Gowoon Lee, gift/Gift, 2021
Conny Maier, Sammler, 2019
FORT, Symptoms Of The Universe (Trouble), 2019
Kottie Paloma, The Inner Workings Of A Hill, 2021
Kottie Paloma, The Inner Workings Of A Hill, 2021
Hyunjin Kim, Platy (Pippa & Curtis), 2022
Tom Król, Gitarrensolo, 2022, oil and acryl on canvas
Magnus Frederik Clausen, Dieciemezza (Benny), 2021
Malte Zenses, Orgelblut, 2019, Fotografie: Sebastian Kissel (Sperling, München)
Malte Zenses, Orgelblut, 2019, Fotografie: Sebastian Kissel (Sperling, München)
Malte Zenses, Untitled (from the series: sie trank Wasser aus dem Millstätter See), 2015
Marion Benoit, Untitled VI, 2014
Antwan Horfee, Red net, 2017
Mevlana Lipp, Jucy, 2021
Paul Hutchinson, Kleistpark, 2016
Rose Wylie, Primrose Leaf, 2015
Russell Maurice, Connected 1, 2018
Victoria Pidust, Blue, 2019
Victoria Pidust, Untitled 10, 2022
Piet Fischer, Auto, 2021
Guided by a passion for genuine collaboration and the unerring belief in art’s life-enhancing powers, the advisory advocates a subjective, human-centric approach to collecting. Instead of following art market trends or purely strategic criteria, Jan van de Weyer puts an emphasis on personal values and considerations. Recognizing the unique taste of each client, as well as the specific characteristics of individual artistic positions, he enters into close dialogue to forge substantial connections—regardless of whether it’s about a single acquisition or a long-term liaison geared toward an enduring collection. With a focus on contemporary art of both established and emerging artists, the advisory builds on broad expertise, an ever-expanding, international network, a thorough understanding of the art world, and a sure sense of meaningful matches between art and people.
Tom Król, Ohne Titel, 2015, oil and acryl on canvas
Tomomi Yamakawa, Mimosa Pudica \ Wood Louse, 2021, acrylic on canvas
Simon Mielke, 2021
Simon Mielke, 2021
Gowoon Lee, gift/Gift, 2021
Conny Maier, Sammler, 2019
FORT, Symptoms Of The Universe (Trouble), 2019
Kottie Paloma, The Inner Workings Of A Hill, 2021
Kottie Paloma, The Inner Workings Of A Hill, 2021
Hyunjin Kim, Platy (Pippa & Curtis), 2022
Tom Król, Gitarrensolo, 2022, oil and acryl on canvas
Magnus Frederik Clausen, Dieciemezza (Benny), 2021
Malte Zenses, Orgelblut, 2019, Fotografie: Sebastian Kissel (Sperling, München)
Malte Zenses, Orgelblut, 2019, Fotografie: Sebastian Kissel (Sperling, München)
Malte Zenses, Untitled (from the series: sie trank Wasser aus dem Millstätter See), 2015
Marion Benoit, Untitled VI, 2014
Antwan Horfee, Red net, 2017
Mevlana Lipp, Jucy, 2021
Paul Hutchinson, Kleistpark, 2016
Rose Wylie, Primrose Leaf, 2015
Russell Maurice, Connected 1, 2018
Victoria Pidust, Blue, 2019
Victoria Pidust, Untitled 10, 2022
Piet Fischer, Auto, 2021