Guided by a passion for genuine collaboration and the unerring belief in art’s life-enhancing powers, the advisory advocates a subjective, human-centric approach to collecting. Instead of following art market trends or purely strategic criteria, Jan van de Weyer puts an emphasis on personal values and considerations. Recognizing the unique taste of each client, as well as the specific characteristics of individual artistic positions, he enters into close dialogue to forge substantial connections—regardless of whether it’s about a single acquisition or a long-term liaison geared toward an enduring collection. With a focus on contemporary art of both established and emerging artists, the advisory builds on broad expertise, an ever-expanding, international network, a thorough understanding of the art world, and a sure sense of meaningful matches between art and people.
Alina Vergnano, Gliding Tempo, 2022
Alina Vergnano, Divergence, 2022
Oliver Osborne, Portrait of a Fat man for Düsseldorf, 2022
Oliver Osborne, Tartan, 2021
Tom Król, Ohne Titel, 2015
Tom Król, Gitarrensolo, 2022
Tom Król, Böhnchen, 2022
Conny Maier, Sammler, 2019
FORT, Symptoms Of The Universe (Trouble), 2019
Kottie Paloma, The Inner Workings Of A Hill, 2021
Arthur Löwen, Index (Dal Segno 14), 2022
Arthur Löwen, Index (25), 2022
Magnus Frederik Clausen, Dieciemezza (Benny), 2021
Malte Zenses, Orgelblut, 2019, Fotografie: Sebastian Kissel (Sperling, München)
Malte Zenses, There is no phone ringing, damn it, 2022
Antwan Horfee, Red net, 2017
Mevlana Lipp, Jucy, 2021
Paul Hutchinson, Kleistpark, 2016
Rose Wylie, Primrose Leaf, 2015
Victoria Pidust, Blue, 2019
Victoria Pidust, Untitled 10, 2022
Dennis Buck, driving around bored, 2022
Julien Saudubray, Study #14, 2022
Billie Clarken, Object of Desire, 2022
Clara Lane Lens, Sleeveless Relief, 2022
Luca Calaras, La fuga, 2022
David Benedikt Wirth, predator, 2022
David Benedikt Wirth, Djed B, 2022
David Benedikt Wirth, homo, 2022
Guided by a passion for genuine collaboration and the unerring belief in art’s life-enhancing powers, the advisory advocates a subjective, human-centric approach to collecting. Instead of following art market trends or purely strategic criteria, Jan van de Weyer puts an emphasis on personal values and considerations. Recognizing the unique taste of each client, as well as the specific characteristics of individual artistic positions, he enters into close dialogue to forge substantial connections—regardless of whether it’s about a single acquisition or a long-term liaison geared toward an enduring collection. With a focus on contemporary art of both established and emerging artists, the advisory builds on broad expertise, an ever-expanding, international network, a thorough understanding of the art world, and a sure sense of meaningful matches between art and people.
Alina Vergnano, Gliding Tempo, 2022
Alina Vergnano, Divergence, 2022
Oliver Osborne, Portrait of a Fat man for Düsseldorf, 2022
Oliver Osborne, Tartan, 2021
Tom Król, Ohne Titel, 2015
Tom Król, Gitarrensolo, 2022
Tom Król, Böhnchen, 2022
Conny Maier, Sammler, 2019
FORT, Symptoms Of The Universe (Trouble), 2019
Kottie Paloma, The Inner Workings Of A Hill, 2021
Arthur Löwen, Index (Dal Segno 14), 2022
Arthur Löwen, Index (25), 2022
Magnus Frederik Clausen, Dieciemezza (Benny), 2021
Malte Zenses, Orgelblut, 2019, Fotografie: Sebastian Kissel (Sperling, München)
Malte Zenses, There is no phone ringing, damn it, 2022
Antwan Horfee, Red net, 2017
Mevlana Lipp, Jucy, 2021
Paul Hutchinson, Kleistpark, 2016
Rose Wylie, Primrose Leaf, 2015
Victoria Pidust, Blue, 2019
Victoria Pidust, Untitled 10, 2022
Dennis Buck, driving around bored, 2022
Julien Saudubray, Study #14, 2022
Billie Clarken, Object of Desire, 2022
Clara Lane Lens, Sleeveless Relief, 2022
Luca Calaras, La fuga, 2022
David Benedikt Wirth, predator, 2022
David Benedikt Wirth, Djed B, 2022
David Benedikt Wirth, homo, 2022